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Programme 7.
“Video art and youth (club) culture”.
With a competent PR campaign - i.e. mentioned in the mass media, a contemporary
culture event becomes a model for reproduction. Thus functions the youth popular
culture by reproducing fashionable images, new technologies and communication
forms.
During the first half of the 1990’s in Russia, we first notice the club culture
phenomena, including chaotic reproduction of video and audio images, the clichés
of contemporary art in a averaged, i.e. popular context.
In this the young generation of new technology art disciples has modernised the
aesthetic demands of the consumer, finishing the experiment of “capitalist-type
culture product” creation in the club and TV spaces.
Olga Shishko.
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Sergei Shutov, Moscow.
“Mystery of Two Oceans 2”.
1994. 4'00''. VHS.
© Sergei Shutov |
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Vladimir Mogilevsky, Moscow.
RGB - - Delirium Upgrade
1994 , 16’30”. VHS
© SCCA - Moscow |
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Vadim Koshkin, Moscow.
“Fucking Electricity”
1993. 4’20’’. Betacam.
Montage – N. Popikova, Vadim Koshkin.
Episodes form films by: S. Buzkov, V. Kobrin.
Producer – E. Grekhov.
© Vadim Koshkin. |
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Igor Davletshin, “Step” group, Kemerovo.
“Fun Chamber Dolls”.
1993. 4’30”. Hi 8
© Igor Davletshin |
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Anna Kolosova, St. Petersburg..
“Bad Movie”.
2001. 4'00''. CD.
© “Pro Arte” Institute.
© Anna Kolosova |
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Ruslan Rubansky, Moscow/Odessa.
“Z-Files”
1997. 3’16’’. Hi 8.
© Ruslan Rubansky |
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Vadim Gubin, Novokuznetsk.
“The House at the Turn”.
1995. 2’30’’. SVHS.
Sound – SWANS RELATED PROJECT: M.GIRA “Drainland”.
© Vadim Gubin |
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Filipp Perlovsky and “Ole Lukoye”.
“TV night on MUZ-TV ”. “Muz-TV”
2000. NonStop (fragment)
© “Muz-TV” |
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