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Programme 5.
“Performance and video in contemporary Russian art”.
This part explores the border territory of Russian art, created by the mutual
attraction of two genres, performance and video… In the English-language
critical tradition a conceptualising system for video and performance
interaction of has already been established, while in the Russian tradition it
is now in the process of being formed. The central concept here is video
performance. It is widely used in description of art actions documentary,
performances made specially for the camera, art works integrating action into
installation in “close circuit” and TV –experiments.
The concept is narrowed in such terms as “performance-oriented tape” and “tape
of actions”, more appropriate for documentation, and on the other hand, the
terms “performance-based video” or “performance-and-video piece” - describing
works of a more symbiotic kind. There is also a term for various border genre
experiments - “theatrical video performance”.
Konstantin Bokhorov.
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Kirill Preobrazhensky, Alexei Belyaev (Frozen earth lab),
Moscow.
“Light at the end of the tunnel”.
1991. 4’00’’. VHS.
© “Frozen earth lab”. |
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Giya Rigvava, Russia (Moscow) – Germany (Munchen).
“They all lie!”
1993. 3’30’’. VHS.
With technical assistance by TV-gallery Art Media Centre.
© TV Gallery |
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Max Iluhin.
“Tunnel or Shawshank Redemption ”
2001. 4’00’’. MiniDV.
© Maxim Iluhin |
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Dmitry Bulnygin, Novosibirsk.
“Lola”.
2000.2’15”. MiniDV PAL.
© Dmitry Bulnygin |
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Gutov D., Moscow.
“March”
2000. 10’00’’. Hi 8.
Dmitry Gutov and “RADEK” society.
Music - Pink Floyd soundtrack to “Zabriskie Point”
© Dmitry Gutov
© RADEK |
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Maria Chuikova, Moscow.
“A Housewife Reading”
1999. 11’20’’. Mini Digital.
Camera – Hilly Leimgriber, Jens Voerln.
Music - Sergei Zagny.
Technical assistance by Soros Centre for Contemporary Art (Moscow) and “Art
via Video” studio.
© Maria Chuikova. |
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Elena Kovylina, Moscow.
“Waltz”.
2001. 15’00’’. Betacam.
Camera – Walter Lenertz.
© Elena Kovylina. |
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Alexei Isaev, Moscow.
“Zero-dimensional Space or a Topological Invariant of a Book.
1993. 10'00''. Betacam SP, Hi-8.
Filming took place in the ZSI quarters at Yakimanka street, done by a
professional cameraman. The script (camera, light, movement) composed by the
author. Montage at the Egocentrical Peculiarities Studio using: ÐÑ 486 and 2
Hi-8camera-recorders, software TARGA+, 3D studio.
© Alexei Isaev. |
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Natalia Borisova, Russia (Moscow) – Germany (Berlin).
“Enjoy!”
1998. 20’09’’. Hi 8.
Starring: Anna Kuznetsova, Mikhail Eihner
Music - Andrei Dergachyov..
© “Termen Centre”
© Natalia Borisova |
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Platon Infante - Arana,
Moscow.
“Homourbanas”
1995. 3’00’’. MiniDV.
V.M. Kobrin’s trick film workshop.
Director – P. Infante-Arana.
Artist – Anton Antonov..
Camera – Kirill Speransky.
Produciton – Timofey Nosik..
© Platon Infante-Arana. |
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BlueSoup, Moscow.
“Camouflage”
1997. 5’00’’. Betacam.
Starring: Alexei Dobrov, Daniil Lebedev, Valery Patkonen..
Script – Äàíèèë Lebedev.
Directors: Alexei Dobrov, Daniil Lebedev, Valery Patkonen..
Camera – Vladimir Kuzakov.
Music composed by Andrei Murashov.
Montage and special effects– R. Rashevich.
Producers: Vladimir Levashov, Aleksandr Silverstov.
Technical assistance by “Cine –Phantom” studio.
© Cine Fantom studio.
© BlueSoup |
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Igor Davletshin, Vladimir Goryachev, Kemerovo.
“Insect art”.
2000. 6’15”. Hi 8.
© Igor Davletshin, Vladimir Goryachev |
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Vladimir Salnikov, Moscow.
“Dancing Shiva and his disciple”.
2001. 8’10’’.VHS.
Camera – Nina Kotel, Vladimir Salnikov.
Montage – Vladimir Salnikov.
Composer – Sergei Zagny
Piano played by Anton Batagov.
© Vladimir Salnikov. |
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“Sinie nosy” (V. Mizin, D. Bylnigin, K. Skotnikov), Novosibirsk.
A series of performances.
2000.3’45. MiniDV PAL.
© Sinie nosy |
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Maksim Verevkin, Izhevsk.
“Prometeus”.
2001. 6’00’’. SVHS.
Idea - Maksim Verevkin.
Camera – AnfimX.
Montage and sound – Ignat Gaimuratov.
Poetry – Gottfried Benn.
Voice – Richard Turbatu..
Assistance – Anton Mikriukov..
© Arheopterix |
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