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Programme 2.
“Aesthetic and technological experiments in video art”.
The definitions of “artistic experiment” or “experimental creativity” can be run
across fairly often in contemporary art and especially video art project
description. It is not only a manifestation of a critic’s or art historian’s
vagueness concerning both aims, problems and artistic quality of a given work,
perceived as a creative process not as a finished product in the traditional
sense. It is also an evidence of a very important methodological transformation
that has irrevocably changed the 20-th century aesthetic paradigm. All the above
applies to video art, which has become a field of experimental study and trial
for various ideas, methods, technologies, not necessarily coming initially from
the contemporary art arsenal.
(Tatiana Gorucheva).
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Sergei Shutov, Moscow.
“Sensual Experiences”
1993. 9’40’’. VHS.
© Sergei Shutov. |
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Alexei Isaev, Moscow.
“Summers”.
1994. 7’00”. Hi-8.
First video version (filmed live, without further montage).
Filming, light and sound - author's conception.
Sound assistant «The Eights' Day» Group.
© Alexei Isaev. |
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Yuris Lesnik, St.Petersburg.
“Topology in sculpture”
1993. 2’40’’. VHS.
The project is realised with computer assistance by ASKoD video.
© Yuris Lesnik. |
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Blue Soup, Moscow.
“Coitus Suite”
1996. 6’30’’. Betacam.
Music – Alexei Dobrov.
Camera – Daniil Lebedev.
Sound – Valery Patkonen.
© Cine Phantom studio.
© «BlueSoup» |
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Olga Tobreluts, St. Petersburg.
“Hercules' Last Feat”.
1996. 1’40’’. Betacam SP.
Director – Olga Komarova (Tobreluts).
Producer – Timur Novikov.
Music – Vladimir Aleksandrov.
Featuring – Aleksandr Vishnevsky (Winner of Russian Bodybuilding
Championship).
With technical assistance from «Kreig» and financial support from Soros
Centre for Contemporary Art (St. Petersburg).
© Olga Tobreluts. |
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Olga Tobreluts, St. Petersburg.
"Eternal Music"
1996. 3’00’’. Betacam SP.
Featuring - Olga Tobreluts.
© Olga Tobreluts. |
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Timur Novikov, Sergei Shutov.
“Sunrise”, “Submarine”, “Penguins”, “Aeroplane”.
1993. 3’00’’. VHS.
© Timur Novikov, Sergei Shutov. |
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Natalia Borisova, Russia (Moscow) – Germany.
“Three vers libres”.
1995. 3’30’’. MiniDV.
PC 486, APremiere4.0.
Camera, script, sound – Natalia Borisova.
Starring: Evgenia Zubkova..
With technical assistance from “Termen Centre“ studio.
© Termen Center.
© Natalia Borisova. |
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Tanya Detkina and Aleksandr Nikolaev, Moscow.
“Bats”.
1995. 7’00’’. Hi - 8.
© Termen Center.
© Tanya Detkina, Aleksandr Nikolaev. |
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Vladimir Mogilevsky, Moscow.
“Log-book”.
1993. 10’00’’. VHS.
© Vladimir Mogilevsky. |
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Vadim Koshkin, Moscow.
“Parasites of the Brain”.
1994. 3’00’’. Betacam.
Authors – Vadim Koshkin, Nikolai Shiroky.
Technical assistance and montage “Kreig”, Egocentrical Peculiarities Studio.
© Egocentrical Peculiarities Studio. |
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ZAiBI, Moscow.
“Lenin and Stalin”, in 3 parts.
Part 1. "Once upon a time" 1991-1998. 3’00”. Betacam.
Animation, 16 mm, colour, digitally remastered.
Part 2 ."Accidentally" 1998. 2’00’’. Betacam.
Computer animation.
Part 3 ."Parcel with chacha" 2000. 4’00’’. 16 mm. Black and white, feature
film. |
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Galina Myznikova è Sergei Provorov, Nizhni Novgorod.
“20.21”
1999. 23’20’’. Betacam SP.
Scriptwriters - Provorov Sergei, Galina Myznikova.
Camera - Skvortsov Andrei, Provorov Sergei.
Music – Ivan Pavlov.
Producers – Ivan Pavlov, Vsevolod Tsendrovsky.
© Galina Myznikova, Sergei Provorov |
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